
Friday morning and the garden is blue with hydrangeas. If a small balding man with humpy wings and a scooped-up toga showing off his knobbly knees were to appear in my kitchen and announce: ‘I am the Archangel Michael! What is the meaning of life?’ I would start babbling on about needing to find the small ceramic and terracotta curved spoon I use for retrieving olives from tall jars. How can I have lost this invaluable spoon in my unimposing domestic kitchen? The meaning of my life is pitted and dented with everyday objects that go missing just when I need them most: corkscrews, can-openers that have evolved from Swiss army knives, veggie peelers smuggled back from Italy, wire basket spoons bought at a roadside near Luanda in Angola, Art Deco egg timers sent to me by a friend in California, tiny silver-plated cake forks I use to get caper berries out of narrow containers, etc. Elizabeth Bishop wrote a magnificent heartbreaking poem called One Art and I recite it to myself as I search for olive scoops and cake forks.
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
This weekend I am gadding all around the countryside: brunches, a luncheon for 40 guests, supper parties. I groan aloud and complain to my housemate, say how much I wish I could stay at home slumped in a wicker chair with a book, but once I get there I will enjoy myself. There will be tables spread with white linen under green oak trees, friends in straw hats and sandals beaming with gossip and news, bowls of cold cucumber soup and pavlovas of meringue overflowing with cream and berries. What’s not to like? I take along my own bottle of still mineral water and a tolerant summery attitude. These days I hardly notice if someone pours herself a glass of wine, and in truth one of the great surprises in sobering up was to discover how little most people drink. Many of my friends don’t drink at all and I am used to lively, unlubricated conversations, unintoxicated laughter and elegant hospitality.
Ona good day I might be dancing the Steps: the meditation, the reaching out in service, the penetrating nightly inventories, the readiness to say sorry and move on, the steely resolve to change what needs changing.
Right now I am reflecting on this from Norman Fischer:
“Whether you like this moment or not is not the point: in fact liking it or not liking it, being willing or unwilling to accept it, depending on whether or not you like it, is to sit on the fence of your life, waiting to decide whether or not to live, and so never actually living. I find it impressive how thoroughly normal it is to be so tentative about the time of our lives, or so asleep within it, that we miss it entirely. Most of us don’t know what it actualy feels like to be alive. We know about our problems, our desires, our goals and accomplishments, but we don’t know much about our lives. It generally takes a huge event, the equivalent of a birth or death, to wake up our sense of living this moment we are given – this moment that is just for the time being, because it passes even as it arrives. Meditation is feeling the feeling of being alive for the time being. Life is more poignant than we know.”
There is a young papaya tree growing behind the garage next to a tree tomato and it reminds me of travelling down through Mozambique to Beira, the abundance of tropical palms and what we once called ‘pawpaw’ trees heavy with fruit and springing up out of the rich red soil of the coastal lowlands. Anything grows in my sheltered garden and it is a jungle of delights for me.
And there are days when writing offers some traction on reality and I feel I might be able to say something worthwhile and relevant, so let me go off and sit down with the Letters of Samuel Beckett and a pen and notebook and remind myself how much remains unsaid — and unsayable, even from Beckett, the multilingual, uncondescending, self-revealing, poignant. The one and only Samuel Beckett whose subject is always loss.
He notes: “Lovely walk this morning with Father, who grows old with a very graceful philosophy. Comparing bees & butterflies to elephants & parrots & speaking of indentures with the leveler. Barging through hedges and over the walls with the help of my shoulder, blaspheming and stopping to rest under color of admiring the view. I’ll never have anyone like him.” Several months later, the father dies. The son says, “I can’t write about him, I can only walk the fields and climb the ditches after him.”