What remains to be told

At one of the stranger boarding schools I attended, we had a head mistress who would give us  pep talks at morning assembly on how to become ‘well-rounded, upright, irreproachable and friendly.’ That was what  she  expected of us, nothing less. We should  help old ladies across the street,  find homes for stray kittens, never answer back when spoken to by  our elders and betters, tell the truth no matter what it cost us, play all sports equally well,  come across as cultured and soft-spoken, observe our posture at all times and remain pure until the wedding night.

Then  we would  sing the closing hymn ‘For All the Saints’ because it was a government school that favoured  the Anglican  church, and the headmistress would go back into her study, lock the door, draw the curtains, write up false but glowing reports about  extra-curricular activities (there were none) and  the national  awards given to the  hockey team and choir (awards she  invented and  gave out at the  end of  each year). She was reclusive, unfriendly, mildly OCD and  walked with a  slouching stooped gait and averted eyes. The Parent-Teacher Association believed she drank gin all day behind locked doors and was passionately in love with the gym mistress, who was muscular, friendly, had terrific  posture and would tell us dirty jokes after hockey matches.

My education was  erratic and  haphazard, but not unusual for its time. My mother had even less education and  spent  most of  her formative years terrified by a  roaring beast of a  headmaster who would whip the children (girls and boys) until blood ran down their thighs , lock them in a windowless room for  detention and  force them to memorize large chunks of the Old Testament as  punishment. That wasn’t unusual either. My father as a small boy was evacuated out of bomb-prone Edinburgh during World War II and had  nearly five years of no schooling at  all while he cleaned pig sties on a farm in the Border Highlands and watched gruesome cockerel fights behind the  pub on Saturday nights. A lot went wrong in his head during those years.

After parents die, we are set free to  conjecture and question more about their lives, the influence they exerted on us, the ways in which they  inspired or discouraged us. They  in turn were at the mercy of their times  and contexts. My schooling had much to do with duplicity and what was not said openly but known by everyone in a  town  gaping and glassy as a fishbowl.  My home life was  often  chaotic and frightening, as had been  the homes in which my parents had grown up. Alcoholism and mental illness played its role as did paedophile compulsions and  a deep vein of cruelty not recognised as such.

 

In my 30s, far away and in another city, a therapist asked if  I thought I had grown up in a  ‘dysfunctional family’. She was a chirpy,  kind woman who  categorised families as ‘good, nurturing, healthy’ or  ‘bad, unhealthy,  dysfunctional’. A neat pragmatic division.Sitting there looking at her bright cheerful room with blue and yellow bird mobiles hung up for  child patients and  a copy of the Revised Standard Bible  next to a  paperback copy of Why Am I Afraid  To Tell You Who I Am? on her bookshelf, I felt  suddenly protective of my chaotic and  broken family. Could my parents have been other? They  had grown up, as I had, in such maladjusted and  war-torn societies, had been taught  so little that was of any use. They, like myself,  tried and failed at the business of life, we had struggled and  muddled through relationships, tangled beliefs and that  split between public and private. None of us had acquired the life skills suggested by  my  smiling therapist.

Context is everything when it comes to doing  emotional archaeology in the family. My mother, shaped and marred by a raw colonial country,  chose to stay with an abusive man because  respectable women back then did not get divorces. There were no shelters for battered or homeless women. Only a husband  could open a bank account and my mother  had never learned to drive a car.  She could not pack a suitcase and  get into a car and drive away. Her family had disowned her. She had no money of her own and nowhere to go. This too — she had been a battered child — her father had beaten her, her headmaster had whipped her until the blood ran down her legs, her husband would break her arms and  smash her jaw. She was a brilliant troubled musician who had been given Valium to calm her nerves before concerts and there was little or no understanding of addiction. She thought of herself as crazy, hopeless,  weak-willed and  trapped. Unmaternal too, she had not wanted children.

And there she is in a snapshot capture, sitting up in bed with a bruised face, nursing her newborn daughter with a cigarette in one hand, her glass of gin and  packet of Valium on the  bedside table. There is an old colour Kodak photograph of that moment. She looks dishevelled and  vacant. Her lipstick is unbecoming and a little smeared, her sleeveless  blouse needs to be ironed. And despite  appearances, she is doing the very best she can do, given her  circumstances and  limitations. She is making the best of a  bad  hand. There I am, the unwanted  baby with  my red face and dribbling mouth, clamped to her breast. Smoke in my eyes perhaps, but I am feeding from her and I will live. Let the blame fall away.

She did what she could, my mother, with nobody then to speak up in her defence or lend a helping hand. Looking back now, I honour her memory while  telling all the truth I  can recall or grasp from my own limited perspective. That may be all any of us can do.

 

 

Ox wagon early Rhodesia