Embattled Queen of the World

The other day I put up an image of the  black Madonna and Child in stained  glass found in Regina Mundi Church in Soweto and thought I should write something about that church, so  dear to my heart and  like  nowhere else I know. To stand in that vast dimly lit space is  to encounter  brokenness and power in a new way, and this is not mere rhetoric.

But it isn’t easy to express. When I talk about  Christianity in Africa, I’m trying to write about something very different from the  declining  commodified churches of the West. Christianity in Africa is  problematic in many ways but also  alive, vibrant and challenging. The eloquent and  well-informed  social  critic Juan Cole has a piece on  the growth and  challenges of  Christianity in the  Middle east and parts of Africa:

There are more Middle Eastern Christians than ever before, and they are poised between emergence as a new political force in a democratizing region and the dangers to them of fundamentalism and political repression. The arguments you see for Christian decline in the region are mostly wrong. If we count the Christians in the Arab world and along the northern Red Sea littoral (Egypt, the Levant, Iraq and the Horn of Africa to the borders of Ethiopia) they come to some 21 million, nearly the size of Australia and bigger than the Netherlands. (This figure does not count the large Christian expatriate populations in the Gulf emirates or Christians in Iran and Pakistan). They are important in their absolute numbers, which have grown dramatically in the past 60 years along with the populations of the countries in which they live. If the region moves to parliamentary forms of government, they may well be coveted swing voters, gaining a larger political role and louder voice than ever before.

 

Regina Mundi (meaning  Queen of the World and dedicated to the Virgin Mary) Catholic Church in Gauteng is the largest church in southern Africa, seating more than 7  000 people and it is  nearly always packed to capacity. It is located in one of the most  sprawling and  impoverished  black townships, Soweto, and the church building was consecrated in 1962 by Cardinal  Montini from Milan, who would  shortly become  Pope Paul VI. The stained-glass  image of the  black Madonna and Child was  created by artist Larry Scully as part of an initiative to raise  money for  black education.

 

On 16 June, 1976,  armed police and  army forces opened  fire on school pupils protesting apartheid  in Orlando West township and chased the pupils (many not older than 15 years  old and as young as  nine years old) through the streets. Bleeding and seriously wounded youngsters fled to Regina Mundi Catholic Church and the doors were kept open for them by order of Archbishop Patrick Fitzgerald of Johannesburg. Police  pursued them into the church, firing on them with live ammunition. The corner of the altar was  smashed with a rifle butt and the  crucifix was used for  target practice. The statue of Christ still stands with no hands and there are bullet holes in the ceiling and  walls. But this broken and  damaged church was a refuge of sorts and through the years of the struggle against apartheid,  people came to the church to  mourn, to protest, to  affirm their commitment to freedom. Thousands  (thousands, not hundreds) of anti-apartheid activists and  others killed by police  or assassination squads were buried from that  church. Archbishop Desmond Tutu preached there and Nelson  Mandela spoke of Regina Mundi as a ‘beacon of hope, a worldwide symbol’. In 1996 South Africa’s Truth  & Reconciliation Commission investigating the  atrocities  of the apartheid years held opening meetings at Regina Mundi. Right across Africa, Regina Mundi is known as the ‘people’s church’.

What keeps  people believing in a faith that has long faded from much of the West? It’s simple enough perhaps, and at the core of  who we are as human beings: to know that when you are running for your life, somebody will be holding the doors  of a sanctuary open for you.

Regina Mundi

 

Snapshots from Christmas Day

Buddleia davidii Black Knight

 

Sunny, peaceful, uneventful, highly  enjoyable.

Favourite festive drink: tall glasses of iced coffee at 3pm on a boiling hot summer afternoon

Favourite dish: Caramelised tomato tarte tatin  made with ripe and juicy,  misshapen, scarred organic tomatoes and flaky buttery puff pastry, a  scattering of opal basil leaves from the garden

Standing talking at H’s garden gate with Buddleia davidii  ‘Black Knight’ in  purple glory,  the fragrance of blackberries and chocolate and  honey. Unforgettable.

Sharing  our favourite  Jorge Luis Borges stories and  quotations by the light of a  hurricane  lamp under green stars and watched over  by a  conference of owls. We went on to old ghost stories (Turn of the Screw anyone?) and then to scurrilous gossip. We all gossip, we all find it pleasurable, we usually curb the tendency within ourselves and others to gossip because speculating about others reveals us at our mendacious spiteful worst.

Spurned offerings. To be greeted at the front door by the host’s visiting daughter who announced she  had  just made a huge jug of tequila, gin and lemon milkshake. ‘You must try this, it will blow your mind!’ Maybe not.

Wondering if it is possible to fast-track enlightenment via a Buddhist ‘stream of entry’? Doubtful. Fascinating read though.

“Stream entry,” is a Buddhist term for initial enlightenment — a shift in perspective where the practitioners’ mind flips inside-out and for a split-second recognizes its own inseparability from the rest of the natural world. Everything is different after this; there has been, in Ingram’s language, a “breach in continuity.” Meditators reported dramatic reductions in personal suffering, although more mature commentators also discussed a commensurate increase in heartbreak and vulnerability. For better or for worse, they have now entered the undulating stream of true spiritual practice.

My  small dogs up on their hind legs doing a hysterical dervish dance of welcome to see me coming in through the front  door. To love and know ourselves loved/ on this green earth.

More Borges:

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”